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| Francisco de Zurbaran, The Crucifixion, 1627 (Art Institute of Chicago) |
We contemplate, analyze and even fall in love with works of art, but encountering them in sterile museum settings, away from their original locations, original intent, something vital of their true essence can get lost. Especially when trying to recreate a narrative about people and events from four centuries ago involving the most sacred of subjects "feeling the love" can be quite challenging. Zurbaràn’s Crucifixion however, is such a phenomenal painting that it can enchant a viewer despite differences in religion, culture, geography even centuries.
